I work in clay as both material and metaphor. My practice moves between functional vessels and figurative sculpture, using form and surface to explore memory, utility, and quiet narrative.

Influenced by domestic objects, the human female figure, and the tension between use and presence, my work often blurs the line between object and artifact. Pattern, gesture, and subtle irregularities play a central role in how each piece is experienced.

Whether sculptural or functional, my work is intended to be encountered slowly — held, observed, and lived with — allowing meaning to unfold through touch, repetition, and time.